Image above from tweet Queen Arya @ZeeNTheCity
Remember…about those statues: Robert E. Lee opposed Confederate monuments | PBS NewsHour
“I think it wiser,” the retired military leader wrote about a proposed Gettysburg memorial in 1869, “…not to keep open the sores of war but to follow the examples of those nations who endeavored to obliterate the marks of civil strife, to commit to oblivion the feelings engendered.”
Now, about the Orange Asshole…
There is absolutely nothing I can say that would add to the discussion over yesterday’s White Supremacist in Chief press conference…everyone of us who voted for Hillary knew exactly what that asshole stood for…and where this country was going if he was elected. Fucking hell, did she not predict word for word…this shit a year ago?
*Video from Occupied Democrats…but it is the one place to see it edited succinctly.
And…I am so fucking sick of the phrase Alt-Right…
President Trump angrily denounced the so-called alt-left at a news conference on Tuesday, claiming that the group attacked followers of the so-called alt-right at a white supremacist rally that exploded into deadly violence in Charlottesville, Va., on Saturday.
“What about the ‘alt-left’ that came charging at the, as you say, the ‘alt-right’? Do they have any semblance of guilt?” he asked. There was “blame on both sides,” he said. “I have no doubt about it.”
Both phrases are part of a broad lexicon of far-right terminology that has become important to understanding American politics during the Trump administration. Many of these terms have their roots in movements that are racist, anti-Semitic and sexist.
Here is a brief guide to the meaning of those expressions and others used by white supremacists and far-right extremists.
Look, even the creator of Godwin’s Law is calling it what it is…
Check out this Facebook post from the Alt National Park Service…and see the comment about calling the Alt-Right out for who they are:
So Fuck the “Alt-Right” and call them what they are…Alt-Right=White Supremacists!
Okay, real quick, before we get to the cartoons…Banjoville is in the news again. This time it is for a teacher and sexual assault…which happened to a student back when my daughter was in Middle school. Both she and my son know the victim and from what I understand…this arrest did not come as a surprise to them.
What makes me so disgusted, is how FoxNews presented the case:
“Sex Romp.” Oh give me a break…this is a predator…committing a crime against a child.
What also is disgusting is the amount of people in the community who are actually supporting the alleged criminal in this situation. The prayers being called for this teacher…how she just made a mistake. Reading them is just as gross as the comments on that FoxNews thread. Yes, you can imagine the remarks.
A couple more links for you:
Here’s the full list of members on the new manufacturing council:
- Andrew Liveris, The Dow Chemical Company
- Bill Brown, Harris Corporation
- Michael Dell, Dell Technologies
- John Ferriola, Nucor Corporation
- Jeff Fettig, Whirlpool Corporation
- Mark Fields, Ford Motor Company
- Ken Frazier, Merck & Co., Inc.
- Alex Gorsky, Johnson & Johnson
- Greg Hayes, United Technologies Corp.
- Marillyn Hewson, Lockheed Martin Corporation
- Jeff Immelt, General Electric
- Jim Kamsickas, Dana Inc.
- Klaus Kleinfleld, Arconic
- Brian Krzanich, Intel Corporation
- Rich Kyle, The Timken Company
- Thea Lee, AFL-CIO
- Mario Longhi, U.S. Steel
- Denise Morrison, Campbell Soup Company
- Dennis Muilenburg, Boeing
- Elon Musk, Tesla
- Doug Oberhelman, Caterpillar
- Scott Paul, Alliance for American Manufacturing
- Kevin Plank, Under Armour
- Michael Polk, Newell Brands
- Mark Sutton, International Paper
- Inge Thulin, 3M
- Richard Trumka, AFL-CIO
- Wendel Weeks, Corning
Now for the cartoons:
Oh yeah…forgot about that?
And on that cartoon, let’s end this post…open thread of course!
Sometimes you come across an article that hits home…it reaches out to you, states something obvious or maybe significant in a literal way, that you connect with…you find yourself completely immersed in the writing. Hey, it could be a passage written with such clarity and precision, the idea put forth hits you dramatically and changes your way of thinking. A paradigm shift.
Well, this first link I have for you did not do any of that for me…it probably won’t do any of that for you…it pretty much reiterates the same shit we have been talking about for years on this blog. Dakinikat and Boston Boomer have gone to great lengths to bring up most of the same…if not the exact, points. But I found it interesting to see this op/ed by Michael Goldfarb in The Guardian, highlight many topics of disgust that has been fodder for those who read Sky Dancing. I encourage you to read the whole piece: Is the American republic built to withstand a malevolent president? | Michael Goldfarb | Opinion | The Guardian
The principle of common good underpins the constitution. Donald Trump is gleefully shredding that ideal
he Trump administration, having passed the six-month milestone in office, kicked off the next phase of his presidency with an explosion of crazy, spread over the past seven days. Like sweeps week on The Apprentice, every day saw some headline-grabbing event to garner ratings. It started with leaks against his former bosom buddy, attorney general, Jeff Sessions. President Trump, “sources” said, was planning to fire him. It moved on to a speech to the Boy Scouts of America jamboree, where Trump told the story of a property developer who lost a fortune and was lurking at a New York party with the “hottest people”. Later, there was a tweet announcement banning transgender people from the military.
This explosion of crazy concluded with his new White House chief of communications, Anthony Scaramucci, calling the New Yorker’s political correspondent Ryan Lizza to trash virtually everyone in the White House. He compared himself positively to the president’s dark lord and special adviser, Stephen Bannon: “I’m not Steve Bannon, I’m not trying to suck my own cock. I’m not trying to build my own brand off the fucking strength of the president.”
Doesn’t Scaramucci, or “the Mooch”, as he was known on Wall Street, have a mother? Won’t she be ashamed to see him talking like that in public? The week ended with a big name fired: White House chief of staff, Reince Priebus.
And up on Capitol Hill things weren’t a lot less calm. There was the closed-door interrogation of Jared Kushner, the president’s son-in-law, on Russian connections to the Trump campaign. Then came the Republican Senate majority’s inability to repeal the Affordable Care Act, aka Obamacare, featuring John McCain voting yes, to debate the bill, then no, to kill it stone dead – until The Apprenticegoes into reruns.
All of these events, and a dozen more I don’t have space to mention, create a picture of utter chaos across the American government. Trump has ridden roughshod over not just the customs and norms of presidential behaviour but also basic standards of human decency.
In doing so, he has forced journalists and the institutions they write for to change their basic standards of acceptable language. We use the words crazy and stupid now in our reports because some of the behaviour and actions of Trump and his team are crazy and stupid. We debate whether to refer to the Trump administration or the Trump regime, with all the pejorative connotations that word carries. The New York Times is still the Grey Lady, but it has to print “sucking his own cock”, because that’s what the president’s top communications official said.
People on the outside wonder where the famous checks and balances are that have made American democracy function for more than 230 years? They are still there and, up to a point, still working. For example, presidential power was checked when Trump’s ban on travellers from seven Muslim nations was halted by the courts. The ban is now mired in a legal process.
However, what the madness, abnormality or whatever you want to call it emanating from the White House does draw attention to is the real problem in American politics – the Republicans are no longer a political party but a political faction, a much more dangerous thing.
Goldfarb continues his discussion with Madison and the dangers of factions….where James Madison,
…defined faction as “a number of citizens, whether amounting to a minority or majority of the whole, who are united and actuated by some common impulse of passion, or of interest, adverse to the rights of other citizens, or to the permanent and aggregate interests of the community”.
As y’all know, this shit has been coming on for some time within the Republican Party.
…the US has, over the past quarter of a century, become ungovernable at the national level. Sadly, Madison, having identified the threat in the 18th century “that either a minority or a majority” might become a faction, was unable to think of a solution to the problem that might work in the 21st. The minority in the country – the Republican faction – is now the majority in both houses of Congress and in the state governments. It holds the White House, although neither of the last two Republican presidents gained office while winning a majority of the popular vote.
Trump’s overall approval ratings may be historically low but his support in the Republican faction remains remarkably high. And for a reason – Trump has delivered for them. He appointed Neil Gorsuch, a hard-right judge, to the seat on the supreme court the Republican faction wouldn’t allow President Obama to fill. Immigration from Mexico has slowed dramatically. And in a wave of executive orders, he overturned many Obama-era environmental rules and reinstated the Dakota pipeline project. What’s more, Trump daily drives liberals absolutely crazy with his politically incorrect tweets. The base of the Republican faction, roughly 36% of the population, will stay loyal to him.
Ultimately, the supreme constitutional checks on presidential behaviour remain article 1, section 3: impeachment, or the 25th Amendment (which deals with succession). If the Republicans were a political party as they were at the time of Watergate, that would have to be a consideration for Trump and his team. It might moderate the administration’s behaviour if there were a genuine threat of being constitutionally removed from office. But there isn’t. The Republicans are a faction and the president is one of them.
So Trump carries on in office, unchecked and unbalanced. A majority of Americans, and most of the planet, watch and say, this can’t go on. But it can. For a while, at least.
Like I said, please go read the whole article at the link, it goes more into Madison and Jefferson and a few other things.
And while you think about all that, keep this in mind: Suffolk County Cops’ Ex-Chief In Prison For Police Brutality | Crooks and Liars
Yeah, that bunch of cops who cheered and hollered in agreement when tRump advocated police brutality and violence…their ex-chief is in prison for committing those same kinds of crimes.
For a quick review on yesterday’s tRump twit’s Twitter activities: ‘Is this your airing of grievances?‘: The internet mocks Trump’s out-of-the-blue ‘Festivus’ gripes
The Atlanta-Journal Constitution on Saturday said the Democratic race for governor in Georgia could be like a battle between pop stars Beyoncé and Taylor Swift.
The publication explained that Georgia state Rep. Stacey Abrams — who is black — could be facing off with state Rep. Stacey Evans — who is white.
“If certain parties have their way, next year’s Democratic race for governor in Georgia could have the feel of a feud between Beyoncé and Taylor Swift,” Atlanta-Journal Constitution wrote.
But the analogy is drawing some rebuke on social media.
“Delete this and try again,” one reader wrote on Twitter.
“Whose idea was this? Maybe let’s not simplify complex women candidates into pop stars? Don’t remember y’all reducing Perdue to a pop star,” said another.
“There is so much wrong with this tweet: it’s condescending/sexist, it reduces serious issues to entertainment, & it fails to inform. Stop,” a third person added.
“A race for governor that could feel like Beyoncé vs. Taylor Swift? What kind of professional journalist floated this trash out there? SMH,” remarked a fourth.
The comparison to Beyoncé, at least, does have some significance. As the Atlanta-Journal Constitution explains, the recently-formed political group “Get in Formation” is hoping to rally black women behind Abrams. The group takes it name from Beyoncé’s hit “Formation.”
If you want to read the original article that started this latest…I can’t even think of something sarcastic or witty to call it, controversy…take a look here: A Democratic race for governor that could feel like Beyonce vs. Taylor Swift | Political Insider blog
If certain parties have their way, next year’s Democratic race for governor in Georgia could have the feel of a feud between Beyoncé and Taylor Swift.
Or so I have been informed. I have let my attention to music industry politics slide since Simon & Garfunkel broke up.
What I do know is that state Rep. Stacey Abrams is attempting a profound shift in how Democratic primaries are won in Georgia, which in turn could have broad implications for biracial dynamics within the party.
Abrams, an Atlanta lawmaker and former House minority leader, is one of two major candidates on the Democratic side of the 2018 contest. The other is state Rep. Stacey Evans of Smyrna. Both are lawyers. Both have admirable, by-the-bootstraps biographies.
Abrams is black. Evans is white.
In politics, you often lead with candidates who look like the voters you need – but don’t have. This is one reason why Republicans give prominent roles to African-Americans within their camp.
Likewise, Evans fits the pattern of recent Democratic attempts to return to power by appealing to white, independent voters – even though a strong majority of the party’s voters and activists are black. It is a general election strategy.
A video that accompanied the launch of Evans’ campaign, entitled “16 Homes,” told of Evans’ mobile-home upbringing in far north Georgia. It set many Democratic mouths to watering.
“She has a powerful message,” Atlanta Mayor Kasim Reed said of Evans early this month, via Twitter.
This is the thinking that Abrams wants to subvert, with a nationalized campaign that unites white Democratic progressives with African-American women. The latter are the most reliable demographic within the Democratic party, nationally and in Georgia.
“I’m not going to shy away from the fact that people of color have to be centered in my campaign, because I know I can talk to people of color and white people at the same time, and they’re not going to recoil from one another,” Abrams said Thursday on Hellbent, a feminist podcast.
“We have to stop recruiting the candidates that look like what we wish we had, and we have to recruit candidates that look like where we are,” she said.
Enter Beyoncé. Or at least a slice of her lyrics.
“Get in Formation” is the effort by three national, black-oriented political organizations that debuted earlier this month – with the goal of rallying black women behind Abrams. The Beyoncé reference was no accident. “Formation” was a hit from last year’s “Lemonade” album.
“It honors the power and solidarity of black women. It definitely resonated with black women, but also with all types of women,” explained Sharline Chiang, a spokeswoman for San Francisco-based Democracy in Color, one of the three groups behind the project.
Read the rest at the link….if you want to.
I thought this next remembrance, brought to you by Josh Marshall at TPM was a nice bit of escapism. Maybe it is because Marshall and I are the same age…and we both loved Leslie Nielsen? Leslie Nielsen and the Meaning of Life – Talking Points Memo
Leslie Nielsen died 6 1/2 years ago at the age of 84, a respectable degree of longevity after a working life as an actor that stretched over 60 years. I started thinking about him today for no particular reason: I was paddling around the Internet, reading one thing and then another and then happened upon Leslie Nielsen. For what it’s worth, my browsing history shows a series of searches and pages tied to the firing of Reince Priebus followed by stuff about Leslie Nielsen. How I got from one to the other I do not know.
Today I poked a bit deeper into something I’ve thought about here and there many times. Nielsen began his career in 1950 during the so-called ‘Television Golden Age’. According to his Wikipedia page he appeared in 46 live TV episodes in 1950 alone. His first big success was in the 1956 sci-fi flick Forbidden Planet. From 1950 to 1980 he worked more or less in this vein as a successful TV and movie actor. But if his career had ended in 1980 he would be indistinguishable from and largely immemorable as one of hundreds or thousands of mid-grade actors and actresses who populated film and television over many years but who few of us today would remember or have any need to remember.
But in 1980 Nielsen appeared as Dr. Rumack, his first ever comedic role, in Airplane!, a wildly successful spoof of the then popular transportation disaster movie genre. (Nielsen had also appeared in one of the classics of the genre, 1972’s Poseidon Adventure.) The Dr. Rumack character was an early iteration of the deadpan/ridiculous Det. Frank Drebin character Nielsen went on to play in the Police Squad!/Naked Gun franchise, the character he is now known for.
If you’re my age or older you’re old enough to have some memory of the pre-Airplane! Nielsen, which I think is at least marginally necessary to fully get the magic of the characters he played for the next 30 years of his life. It wasn’t just that Nielsen wasn’t a comedy actor. Nielsen specialized in a genre of mid-20th century American male screen roles from which all traces of comedy or irony were systematically removed through some chemical process in pre-production or earlier. He was the straightest of straight men. That’s what made his comedic roles – playing against that type or rather playing the same type in a world suddenly revealed as absurd – just magic.
Oh please, go and read that one in full. It is a nice tribute to Leslie Nielsen. It also makes a nice contrast to my last link for you today. When you think of movies, and the kind of “entertainment” that is put into production today…it isn’t really too far off from the Idiocracy film within a film, “Ass” :
Narrator: The #1 movie in America was called “Ass.” And that’s all it was for 90 minutes. It won eight Oscars that year, including best screenplay.
Hollywood is aggressively adapting material that doesn’t have a narrative or even any characters. But not all intellectual property is created equal.
In 2013, a movie producer named Tripp Vinson was thumbing through Variety when he stumbled upon a confounding item: Phil Lord and Christopher Miller, a pair of writers and directors, were working on something called ‘‘The Lego Movie.’’ Vinson was baffled. ‘‘I had no idea where they were going to go with Legos,’’ he says. ‘‘There’s no character; no narrative; no theme. Nothing.’’
A sharply handsome man in his mid-40s, Vinson has worked in Hollywood for 14 years, racking up 19 producing credits. He’s a journeyman producer who specializes in popcorn flicks; over all, his films have an average Rotten Tomatoes score of 30 (out of 100). Vinson may not win Oscars, but he knows how to get his projects into theaters. He has survived and advanced in Hollywood by quickly adapting to trends — what’s selling and what’s falling out of fashion. His filmography reads like a map of Hollywood’s shifting sands.
Vinson has produced a movie starring Pierce Brosnan as an aging master thief (‘‘After the Sunset,’’ 2004); a movie about Coast Guard swimmers with Kevin Costner (‘‘The Guardian,’’ 2006); and a psychological thriller with Jim Carrey (‘‘The Number 23,’’ 2007). He has made two movies about exorcisms, one with Laura Linney (‘‘The Exorcism of Emily Rose,’’ 2005), the other with Anthony Hopkins (‘‘The Rite,’’ 2011); a thriller about a psychic who helps the F.B.I. hunt down a serial killer, also with Hopkins (‘‘Solace,’’ 2015); and a romantic comedy with Anna Faris and Chris Evans, the guy who plays Captain America (‘‘What’s Your Number,’’ 2011). He has even made a dance-competition movie (‘‘Battle of the Year,’’ 2013).
Since Vinson got into the business, something has changed in Hollywood. More and more movies are developed from intellectual property: already existing stories or universes or characters that have a built-in fan base. Vinson thinks it started in 2007, when the Writers Guild went on strike. ‘‘Before the strike, the studios were each making 20-something movies a year,’’ he says. ‘‘Back then, you could get a thriller made. After the strike, they cut back dramatically on the number of films they made. It became all about I.P.’’ — intellectual property. With fewer bets to place, the studios became more cautious. ‘‘The way to cut through the noise is hitching yourself onto something customers have some exposure to already,’’ he says. ‘‘Something familiar. You’re not starting from scratch. If you’re going to work in the studio system, you better have a really big I.P. behind you.’’
Vinson didn’t see how Legos could be the basis of a feature-length film. He watched in disbelief as the movie raked in $69 million its opening weekend, grossed almost $470 million worldwide and was almost universally lauded by critics. ‘‘It was magical and fresh and really profitable,’’ he recalls. The movie was clever, telling the story of a Lego construction worker caught in a battle between good and evil, which is eventually revealed to be all in the imagination of a boy playing with his controlling father’s Lego set.
Vinson started looking for undervalued I.P. to guide his next movie. He wanted something an audience would already be familiar with, something that was culturally ubiquitous but could be made new again. He started his search in the public domain. He had succeeded with his Jules Verne and Brothers Grimm adaptations, and besides, old material like that had the advantage of being free. Nothing caught his eye.
Next he started looking around for a big-name console video game to acquire. Perhaps something in the mold of ‘‘Lara Croft: Tomb Raider’’ or the ‘‘Resident Evil’’ series, which has made well over a billion dollars at the box office. ‘‘The video-game companies can be really hard,’’ Vinson says. ‘‘Ubisoft and Activision have their own in-house film-development arms so people decide to spend their money on games and hardware as the vs248h monitor for gaming. A lot of the others are hard to get rights from. They feel like Hollywood can’t figure out how to make a good video-game title. Why give it to them to have them screw it up? That can hurt game sales.’’ Not only were the companies difficult to bargain with, only a few titles even made sense for an adaptation. Vinson’s analysis revealed that megaproperties like Call of Duty and Grand Theft Auto sold tens of millions of units per installment, but after those top titles, sales dropped to levels that would make an adaptation risky.
So Vinson started looking at mobile games. A cursory investigation revealed that the very best selling mobile games didn’t move tens of millions or even a hundred million units — they could reach into the billions. He happened upon Fruit Ninja, a wildly popular series of games that, since its debut in 2010, has been downloaded well over a billion times. A million people play Fruit Ninja per day. He contacted Halfbrick, the company that developed the game.
As usual…it is all about the money…and sales.
Vinson found the mobile-game developers at Halfbrick to be more approachable than their console counterparts. They’re usually smaller, younger companies. They see Hollywood as a good opportunity to sell more games. And, most important, they aren’t protective of already existing characters and plotlines — generally because they don’t have any to speak of.
Vinson worked out a ‘‘shopping agreement’’ with Halfbrick, a contract that gave him exclusive film rights to Fruit Ninja for a limited period so that he could recruit writers and then take a proposal to the studios. If the project sold, Halfbrick would then negotiate a deal to sell the film rights to the studio, a deal that, based on the ubiquity of the game, could run up into the high six figures. Vinson then realized that he was faced with a formidable predicament. There are no protagonists or antagonists in Fruit Ninja. There’s no mythology. No moral. The game play involves staring at a wall as pineapples, watermelons, kiwis, apples and oranges fly up into view. The only thing you do is swipe at the fruit with your finger, cutting them in half. Sometimes there are bombs, and you’re not supposed to swipe at those. ‘‘There’s a fun game to play, but that’s it,’’ Vinson says. ‘‘The challenge was: What the [expletive] am I going to do with Fruit Ninja?’’
Have some fruit on the screen farting? Hey, it will win an Oscar for best screenplay!
This trend toward I.P.-based movies has been profound. In 1996, of the top 20 grossing films, nine were live-action movies based on wholly original screenplays. In 2016, just one of the top 20 grossing movies, ‘‘La La Land,’’ fit that bill. Just about everything else was part of the Marvel universe or the DC Comics universe or the ‘‘Harry Potter’’ universe or the ‘‘Star Wars’’ universe or the ‘‘Star Trek’’ universe or the fifth Jason Bourne film or the third ‘‘Kung Fu Panda’’ or a super-high-tech remake of ‘‘Jungle Book.’’ Just outside the top 20, there was a remake of ‘‘Ghostbusters’’ and yet another version of ‘‘Tarzan.’’
This year there is more of the same — the third installment of ‘‘XXX,’’ the Smurfs, ‘‘Pirates of the Caribbean’’ (a franchise based on a theme-park ride), a King Kong movie, Thor, the sequel to ‘‘Blade Runner,’’ a remake of ‘‘Beauty and the Beast,’’ ‘‘CHIPS,’’ ‘‘Power Rangers,’’ another ‘‘Star Wars’’ movie, a ‘‘Guardians of the Galaxy’’ sequel, two Stephen King adaptations (‘‘The Dark Tower’’ and ‘‘It’’), ‘‘Wonder Woman,’’ ‘‘The Mummy,’’ ‘‘The War for the Planet of the Apes,’’ a retelling of Agatha Christie’s ‘‘Murder on the Orient Express.’’ Every stripe of intellectual property is represented: from comic books to best sellers; from the public domain to unnervingly recent source material like ‘‘Baywatch.’’
This environment has fostered, in some producers, a sense of desperation. When I asked Vinson if the changes his business has undergone over the past decade have inspired him to panic, he told me: ‘‘Absolutely. It’s forced me to look at everything as though it could be I.P.’’ Increasingly, that means nonnarrative I.P.: stuff with big followings but no stories, or even characters, already cooked in.
‘‘The Angry Birds Movie,’’ which was based on a mobile game, was released in 2016 and took in over $349 million worldwide. The game itself consisted of flinging birds at pigs, but it at least provided its writer, Jon Vitti, with protagonists (the birds) and antagonists (the pigs). There was also Adam Sandler’s 2015 movie ‘‘Pixels,’’ a disaster story that united characters from classic 1980s arcade games. Allspark, a subsidiary of Hasbro, has scored two big successes with a pair of movies based on the Ouija board. The first installment, ‘‘Ouija,’’ cost an estimated $5 million to make but managed to earn more than $103 million in the worldwide box office; the sequel, ‘‘Ouija: Origin of Evil,’’ made $81 million on a reported $9 million budget.
Fucking Hell! You know what? I will stick with TCM and other classic movies via DVD.
This summer’s most prominent example of nonnarrative I.P. is ‘‘The Emoji Movie,’’ a film that dramatizes the imaginary lives of emojis. The film’s director and co-writer, Tony Leondis, told me that ‘‘The Emoji Movie’’ actually began with a quest for some other form of I.P. About two years ago, he was thinking about what his next project should be, and he asked himself: ‘‘What are the newest and hottest toys out there in the marketplace?’’ He looked down at his phone and realized they were right there in front of him: emojis. Everyone uses them.
Unlike board games, emojis don’t have rules to play with. Or mythology. They don’t even exist in the real world. So Leondis created a universe for them: The emojis live inside your phone and are on call 24/7, waiting to be sent to your screen when needed. Each has to make the same expression every time they’re summoned. He created a character, Gene, a ‘‘Meh’’ emoji who is born multiexpressional, violating the rules of the emoji universe. ‘‘The idea that each emoji has one expression only was the key to figuring out the whole story,’’ Leondis told me. ‘‘Then we asked ourselves about the world: What do the apps look like to emojis? What happens when you delete an app? And what would happen if emojis were wreaking havoc inside other apps than their own?’’ Leondis told me that production moved along at a breakneck pace — it was two years from pitch to release. A lot of studios, he told me, think ‘‘The Emoji Movie’’ has the potential to be the beginning of a multifilm franchise.
And if you think I am kidding about the Ass movie and this Fruit Ninja thing, take a look at who is writing the script for Vinson:
The pair came up with a reality competition show called ‘‘Green Card.’’ The concept was simple: An ultra-nerdy American guy is set up with beautiful contestants flown in from all over the globe, who compete for his affection. The winner receives a green card. (The State Department wouldn’t allow it.) There were other near misses for the duo in the reality field — a competition called ‘‘Jocks vs. Nerds’’ that a producer told them MTV liked so much it had considered putting the show on TV five days a week. (The show never aired.) They developed a hybrid scripted-reality series called ‘‘Anchorwoman’’ (tag line: ‘‘Would you trust a bikini model to deliver the news?’’) that Fox canceled after its first night.
When they were approached by Vinson, the first thing they did was download Fruit Ninja. Lavin called Damiani after playing for a while. They agreed: There was nothing there. Just fruit. Their work on projects like ‘‘Flat Stanley,’’ though, had shown them that having less to work with provided a greater degree of creative freedom. Lavin and Damiani spent hours discussing the essence of Fruit Ninja. ‘‘For me, it is the messiness, the immediate release of destroying fruit,’’ Damiani told me. For Lavin, the soul of the game is the feeling of ‘‘frenzy.’’ ‘‘There’s like a 60-second version of it where you can see how fast you can kill fruit,’’ he says, which ‘‘puts your brain in this weird, bizarre focused place.’’ As he sees it: ‘‘This would be the movie to go see stoned. I can imagine going in and seeing it in 3-D — just imagine a 20-foot-high pineapple monster. That shot of yellow and orange. I’d go see this movie a dozen times.’’
Okay, if you think this is some kind of joke…this is a fucking article published in The New York Times.
While they were developing the movie, Damiani and Lavin were also attending career days at elementary schools in the San Fernando Valley and Hollywood. Sometimes they went to four classes a day. These gave them the opportunity to do some informal market research. Every time they brought up the script they were working on, they found the same reaction. The kids would ‘‘put their hand in the air, raise a finger and start swiping like crazy.’’ Lavin told me, ‘‘Whatever movie we wrote, it had to be an extension of that energy, that desire to tear up everything in your path and take charge.’’
Early on, Lavin and Damiani struggled to find a narrative entry point. They started with the premise that there was a magic book and an evil fruit overlord. Vinson rejected that idea. Their next concept involved scientific experiments on fruit gone wrong. Vinson didn’t like that either. Eventually, a working narrative emerged: Every couple of hundred years, a comet flies by Earth, leaving in its wake a parasite that descends on a farm and infects the fruit. The infected fruit then search for a human host. The only thing keeping humanity from certain doom is a secret society of ninjas who kill the fruit and rescue the hosts by administering the ‘‘anti-fruit.’’ The produce-slaying saviors are recruited from the population based on their skill with the Fruit Ninja game. With civilization in imminent danger, a cadre of unlikely heroes materializes — a little boy, a college-age girl, two average guys. The action starts after each of the story’s heroes returns home after a horrible day and plays Fruit Ninja to relieve some stress. Damiani told me this aligns with the Fruit Ninja brand: ‘‘Anybody can play. Anybody can be a master.’’
Ah…a movie for anybody…from a game for anybody, that comes from Hollywood…a place in a city where dreams are made of…La La Land…which is part of a bigger nation run by a lunatic. Fuck us all to hell! Why can’t some Fruit Ninjas just go and take care of that monster orange bastard hanging out in the White House? They can do away with the rest of his sad sacks of melon balls and apple twats. Now that…that is a movie I would gladly pay to see.
This is an open thread.ga
This is Sunday? I guess with the little break during the week, I’ve been behind a day.
Dak and Boston Boomer have been on a roll lately, and with so much going down, it can be difficult keeping it all straight. I have a few links for you, but first some cartoons.
One of my favorite cartoonist is no longer working at his newspaper. Nick Anderson was given the “pink slip” earlier this week from the Houston Chronicle.
Read the link below.
Now for those few links…
I will say, nothing ever surprises me with people like McConnell. From Now This, a video reporting that Mitch the Horrible won’t even meet with the charitable organization…The March of Dimes… that is responsible for saving his life when he contracted polio in his youth.
More links on Healthcare:
If you’re a 40 year old with a pre-existing condition who earns $42,000 you could pay $10,000 a month for insurance in the worst case scenario under Trumpcare with extra Ted Cruz Venom, it is hard now a days to find an insurance as cheap as one sure insurance, plus finding a reliable insurance more difficult.
The best case scenario? You’ll pay about $900 a month, which is almost double what you’re paying now under Obamacare.
It’s been a few years so you may not remember what a pre-existing condition is — a term that only exists in America. The words sound severe but there’s a good chance that if you’ve ever had a uterus, depression, asthma, acne or anything that your insurance actually helps with, you probably have one
But won’t Cruz’s bill make life great for people who don’t have a pre-existing condition, right?
Don’t nature’s version of those of us with a good driving record deserve cheap coverage?
Well, it would let you buy a junk plan that may not even include hospitalization. We’re all “temporarily lucky” or “unlucky,” as Andy Slavitt says. When you suddenly get unlucky, your junk plan will be useless and then you’ll need to buy one of those sick expensive plans that soak up much if not most of salary — only you’re not allowed to buy one for SIX MONTHS.
This is a recipe for a collapsing insurance market. Experts have been wondering why the insurance industry, whose entire job is to assess risk, has stood by and watched Republicans design a nuclear bomb that will go off in their coffers.
On Friday, which may honestly be too late, America’s Health Insurance Plans finally spoke up to “strongly oppose this provision” which “is simply unworkable in any form and would undermine protections for those with pre-existing medical conditions, increase premiums and lead to widespread terminations of coverage for people currently enrolled in the individual market.”
That just tells more stories about people…people the GOP will be killing if their healthcare bill passes.
In other sad news:
The Fields Medal is awarded every four years to between two and four mathematicians under the age of 40. Mirzakhani won the prize in 2014 for her work on geometry and dynamical systems.
She was also the first Iranian to win the prize.
In a 2014 interview with the Guardian, she described the excitement and challenge of mathematics.
“Of course, the most rewarding part is the “Aha” moment, the excitement of discovery and enjoyment of understanding something new—the feeling of being on top of a hill and having a clear view. But most of the time, doing mathematics for me is like being on a long hike with no trail and no end in sight,” she remarked.
Stanford President Marc Tessier-Lavigne said: “Maryam is gone far too soon, but her impact will live on for the thousands of women she inspired to pursue math and science.”
“Maryam was a brilliant mathematical theorist, and also a humble person who accepted honors only with the hope that it might encourage others to follow her path. Her contributions as both a scholar and a role model are significant and enduring, and she will be dearly missed here at Stanford and around the world.”
Some news that broke late last night…Donald Trump Jr. paid attorney with funds from his father’s re-election campaign: report – Salon.com
I haven’t taken a look at the Twitter to see what new shit has hit the fan….but this bit of news this morning was a welcoming sight:
Yeah, the next Doctor Who will be a Ms.
The next star of Doctor Who has been announced after intense speculation – and the person stepping into the role of Time Lord is Jodie Whittaker.
She is the first woman to take on the role, playing the 13th Doctor in the BBC1 drama. Whittaker, who rose to fame in ITV’s crime drama Broadchurch, had been touted as one of the contenders.
Debate has been whirring over who would play the Doctor ever since Peter Capaldi announced in January that he was leaving the programme.
Chris Chibnall, Doctor Who’s new head writer and executive producer, said: “After months of lists, conversations, auditions, recalls, and a lot of secret-keeping, we’re excited to welcome Jodie Whittaker as the 13th Doctor.
“I always knew I wanted the 13th Doctor to be a woman and we’re thrilled to have secured our number one choice. Her audition for the Doctor simply blew us all away.
“Jodie is an in-demand, funny, inspiring, super-smart force of nature and will bring loads of wit, strength and warmth to the role. The 13th Doctor is on her way.”
Whittaker said: “I’m beyond excited to begin this epic journey – with Chris and with every Whovian on this planet. It’s more than an honour to play the Doctor. It means remembering everyone I used to be, while stepping forward to embrace everything the Doctor stands for: hope. I can’t wait.”
So with that, what are you all doing this Sunday afternoon?
This is an open thread.
Hey, a happy go lucky ray of fucking sunshine? That would be a positive thing…right?
I wonder if I could find an “untranslatable word” for it in Dr. Lomas’ Glossary of Happiness. (Actually it is called: The Positive Lexicography Project.) And I believe it is something that many of you will find truly fascinating…especially Boston Boomer, who made the study of language a part of her doctoral thesis.
Let’s get down to the article from The New Yorker that introduces us to Dr. Lomas’ Glossary of Happiness | The New Yorker
Last summer, Tim Lomas flew from London to Orlando to attend the fourth annual congress of the International Positive Psychology Association—held, naturally, at Walt Disney World. As Lomas wandered around the event, popping in and out of various sessions, he stumbled upon a presentation by Emilia Lahti, a doctoral student at Aalto University, in Helsinki. Lahti was giving a talk on sisu, a Finnish word for the psychological strength that allows a person to overcome extraordinary challenges. Sisu is similar to what an American might call perseverance, or the trendier concept of grit, but it has no real equivalent in English. It connotes both determination and bravery, a willingness to act even when the reward seems out of reach. Lomas had never heard the word before, and he listened with fascination as Lahti discussed it. “She suggested that this has been really valued and valorized by the Finns, and it was an important part of their culture,” he told me. At the same time, Lomas said, Lahti framed sisu as “a universal human capacity—it just so happened that the Finns had noticed it and coined a word for it.” The conference ended the next day, but Lomas kept thinking about sisu. There must be other expressions like it, he thought—words in foreign languages that described positive traits, feelings, experiences, and states of being that had no direct counterparts in English. Wouldn’t it be fascinating, he wondered, to gather all these in one place?
As the story goes…he went back home to London and began to work on his Lexicography. Lomas is a professor at University of East London…
[…] where he is a lecturer in applied positive psychology, he launched the Positive Lexicography Project, an online glossary of untranslatable words. To assemble the first edition—two hundred and sixteen expressions from forty-nine languages, published in January—he scoured the Internet and asked his friends, colleagues, and students for suggestions. Lomas then used online dictionaries and academic papers to define each word and place it into one of three overarching categories, doing his best to capture its cultural nuances. The first group of words referred to feelings, such as Heimat (German, “deep-rooted fondness towards a place to which one has a strong feeling of belonging”). The second referred to relationships, and included mamihlapinatapei (Yagán, “a look between people that expresses unspoken but mutual desire”), queesting (Dutch, “to allow a lover access to one’s bed for chitchat”), and dadirri (Australian Aboriginal, “a deep, spiritual act of reflective and respectful listening”). Finally, a third cluster of words described aspects of character. Sisu falls in this category, as do fēng yùn(Mandarin Chinese, “personal charm and graceful bearing”) and ilunga(Tshiluba, “being ready to forgive a first time, tolerate a second time, but never a third time”).
Since January, the glossary has grown to nearly four hundred entries from sixty-two languages, and visitors to the Web site have proposed new entries and refined definitions. It is a veritable catalogue of life’s many joys, featuring terms like utepils (Norwegian, “a beer that is enjoyed outside . . . particularly on the first hot day of the year”), mbuki-mvuki (Bantu, “to shed clothes to dance uninhibited”), tarab (Arabic, “musically induced ecstasy or enchantment”), and gigil (Tagalog, “the irresistible urge to pinch/squeeze someone because they are loved or cherished”). In the course of compiling his lexicon, Lomas has noted several interesting patterns. A handful of Northern European languages, for instance, have terms that describe a sort of existential coziness. The words—koselig (Norwegian), mysa (Swedish), hygge (Danish), and gezellig (Dutch)—convey both physical and emotional comfort. “Does that relate to the fact that the climate is colder up there and you would value the sense of being warm and secure and cozy inside?” Lomas asked. “Perhaps you can start to link culture to geography to climate. In contrast, more Southern European cultures have some words about being outside and strolling around and savoring the atmosphere. And those words”—like the French flâner and the Greek volta—“might be more likely to emerge in those cultures.”
On a side note…this reminded me of the story of the Sicilian Vespers. There is a word on the Island of Sicily that is only used on that island. It is the Sicilian word for chickpea. Foreigners had a very difficult time pronouncing it correctly…so difficult that it was the giveaway to tell if you were friend or foe at the time. So, this was the “password” that was used during to Sicilian Vespers. SICILIAN VESPERS – Casa Amaltea
It is said that the Sicilians used a linguistic stratagem to identify the Frenches camouflaged among the common people, showing them chickpeas ( “ciciri», in Sicilian dialect) and asking them to pronounce the name: those who were betrayed by their French pronunciation (sciscirì) were immediately killed.
But back to the happy words…and the New Yorker article:
Linguists have long debated the links between language, culture, and cognition. The theory of linguistic relativity posits that language itself—the specific tongue that we happen to speak—shapes our thoughts and perceptions. “I think most people would accept that,” Lomas said. “But where there is a debate in linguistics is between stronger and weaker versions of that hypothesis.” Those who believe in linguistic determinism, the strictest version, might argue that a culture that lacks a term for a certain emotion—a particular shade of joy or flavor of love—cannot recognize or experience it at all. Lomas, like many modern linguists, rejects that idea, but believes that language affects thought in more modest ways. Studying a culture’s emotional vocabulary, he said, may provide a window into how its people see the world—“things that they value, or their traditions, or their aesthetic ideals, or their ways of constructing happiness, or the things that they recognize as being important and worth noting.” In this way, the Positive Lexicography Project might help the field of psychology, which is often criticized for focussing too much on Western experiences and ideas, develop a more cross-cultural view of well-being. To that end, Lomas—who is currently using untranslatable words to enumerate, classify, and analyze different types of love—hopes that other psychologists treat his glossary as a jumping-off point for further research. “You could have a paper or even a Ph.D. on most of these concepts,” he said.
This was so “neat” to me…after I read the article I began to think about things, like a bubble diagram popping up in my head.
Some bubbles held bits of tRump speeches, and the ridiculous lack of developed words they contain.
And I wondered if I could find some words in other languages to express the various kinds of emotions that come from certain other current events. Like say…white police killing people of color?
I’ve been saving that old comic panel since the video of the Philando Castile shooting came out weeks ago.
*Another side note here…take a look at this fucking video:
I had originally saved it from a shared post on Facebook, again back when the video of the Castile shooting was released. Of course, when I went back to my saved items on FB…it had been deleted. I guess someone found it offensive?
Oh, I am going off on a tangent. Let me get to the cartoons before I become too much of a fucking capoter ray of sunshine.
And remember…many of these cartoons are from the Foreign Press.
This is an open thread…have at it.
This cartoon by Marian Kamensky says it all!
See all those people in the riot behind tRump? That is what I see everyday here in Banjoville.
At least one reporter spoke up yesterday during the White House Press Conference, in what has become the tRump regime’s latest attempt to grab democracy by the pussy.
And would you believe in the same conference that thing behind the podium went on to suggest….
….a video by James O’Keefe.
It really begs this question:
And all I can say is, take a look at one of the responses to that tweet:
What does that mean? Are other news outlets forcing their colleagues to “follow” these outrageous rules being set against the press and by extension the people? Authoritarian rule. I suggest a new set going forward for the WH press room:
I think the beams of light give it a nice historical feel…Bannon will like that, and so will the crowd of hateful moronic shitheads that don’t have a problem with the fall of our democracy and freedom.
I realize that I keep harping on this GOP healthcare bill being the tRump Administration’s “final solution” ….but think about it.
Do you see it?
Tell me if I am not drawing conclusions that are not too far fetched?
Next up… a few quick hits:
Alright enough. More cartoons, because:
End this on a funny or die note:
This is an open thread.
(I hope the format isn’t too bad, I had to do this post on my phone. )
The GOP anti-healthcare bill, is truly the “Final Solution.”
At least it will be for folks like my mom.
If you are very sick…say with stage three ovarian cancer, and on Medicare…when this death bill passes, if you don’t get thrown off Medicare at first, the lifetime caps will get you anyway. Yeah, so as my mom is going through this hell, if she survives her surgery, she still must continue with the chemotherapy. That treatment (which will more than likely reach the lifetime cap) can be cut off by the states in mid-treatment.
…the Senate bill will open the door to states forcing people with pre-existing conditions into segregated markets that will lead them to pay far, far higher costs than everyone else. People with pre-existing conditions could run into new annual or lifetime limits on how much insurance coverage they can get. That means those with the most serious chronic health conditions (and their families) will be at increased risk of financial devastation and even bankruptcy. The bottom line is that the backdoor discrimination the Senate plan allows against those with pre-existing conditions is as cruel as the discrimination in the House bill which the Senate claimed to fix.
These are exactly the reasons why the American Cancer Society urged concern about waiving these critical protections: “If a state decides that prescription drugs are no longer an essential health benefit, a plan could cap the amount it covers for cancer drugs—or decide to not cover cancer drugs at all—leaving patients to pay the entire bill.” And it is why they urged the Senate to “return to the drawing board” when they saw the bill’s text.
For more on this specific language in the bill: How the MacArthur Amendment Impacts Cancer Patient Protections | American Cancer Society Cancer Action Network
On April 25, 2017, the text of an amendment to the American Health Care Act (AHCA) to be offered by Representative MacArthur (R-NJ) was released. The amendment could undo several key protections that are critical for cancer patients and survivors – including the prohibition on pre-existing condition exclusions.
The MacArthur Amendment Could Make Pre-Existing Condition Exclusion Prohibition Meaningless for Some Cancer Patients
The amendment would enable states to apply for a waiver that would allow insurers to rate individuals based on their health status in some instances. States that have established a high-risk pool, use state stability funds (provided in the AHCA) or have adopted a state reinsurance program could allow insurers to impose health status underwriting for individuals who have a gap in coverage of at least 63 days.
While health insurers would be required to sell a plan to an individual with pre-existing condition like cancer, the premium charged could be so high that it would be unaffordable. Compounding this is the fact that the tax credits offered under the AHCA would be significantly lower than those provided under current law and the AHCA would allow plans to increase premiums for older Americans.
Higher Age Ratios Could Also Price Older Cancer Patients Out of the Market
Current law allows an age rating of 3:1 and the AHCA proposes to expand this to 5:1 – this means older Americans could be charged five times as much as younger Americans in premiums. The MacArthur amendment would allow a state to specify an even higher age ratio in a waiver.
No Guarantee of Consistent Coverage
Current law requires insurance plans to offer ten categories of essential health benefits – including hospitalizations, physician care, prescription drug coverage, and other services. Under the MacArthur amendment, beginning on or after January 1, 2020, states could apply for a waiver to create their own state version of essential health benefits. This could mean that a state could choose not to cover specific kinds of benefits, including certain cancer drugs. A state could also decide that an insurance plan no longer has to cover preventive services, leaving patients in one state with access, but patients in a different (even neighboring) state without access to prevention.
Another serious problem is the potential loss of key patient protections. The cap on out-of-pocket costs, and the prohibition on lifetime and annual limits – are applied only to essential health benefits. That means if a state decides that prescription drugs are no longer an essential health benefit, a plan could cap the amount it covers for cancer drugs – or decide to not cover cancer drugs at all – leaving patients to pay the entire bill. Finally, depending on the state law, a plan may not have to cover services that a cancer patient may need, which is another way to discourage individuals who need those services from enrolling in the plan.
For some real life outlooks on how this death bill will effect real people, take a look at the following thread:
Or…take a look at this:
It is all too upsetting, every day I send letters to my representatives in Congress. I realize many feel this bill will not pass, but I do not see the failure of this monstrosity in so clear a light. Nothing as horrible as this bill seems possible now.
But hey…what the hell, at least we have this:
That does it, I am too disgusted to go on…
This is an open thread.
Something tells me, that you will get a sense of where the title of this post is coming from…
…by the sample of these first few images and cartoons.
Oh…shit. I’m getting ahead of myself.
Let me post a few links, and then get to the cartoons.
Aw, fuck the links.
I wasn’t able to bring myself to watch the show yesterday. I think it is difficult for me to watch all this testimony going on, when I know the Senate is working behind those closed doors to kill my mother.
Here is a cartoon with commentary from Pat Bagley:
Innit the truth.
I can’t much wrap my head around anything else nowadays.
Here are the rest of today’s cartoons…I hope you enjoy them.
You will have to click on the link to see that one by Luckovich in full size.
And remember as you look at many of these cartoons, they are from the foreign press/political cartoonist.
And on that note…..This is an open thread.