The New York Times: Black Rhino Born at Michigan Zoo on Christmas Eve.

Doppsee, a 12-year-old black rhino, presented a Michigan zoo and conservationists with an early holiday gift on Christmas Eve, delivering a newborn calf in a rare zoo birth for the endangered species.

The arrival of the male calf, which hasn’t been named yet, was the first time that a black rhino had been born at the Potter Park Zoo in Lansing, Mich., in its 100-year history, according to a news release.

Pat Fountain, an animal care supervisor at the zoo, said on Wednesday that the birth was one of the zoo’s “crowning achievements” because black rhinos are “statistically and historically very hard to breed and be successful.” Getting Doppsee to breed with Phineus, the calf’s father, who came to the zoo in 2017, was a “milestone,” he said.

About two black rhinos are born every year in facilities accredited by the Association of Zoos & Aquariums in the United States, Mr. Fountain said, noting how rare the birth was.

Here’s some material for nightmares from Politico: Democratic insiders: Bernie could win the nomination.

For months the Vermont senator was written off by Democratic Party insiders as a candidate with a committed but ultimately narrow base who was too far left to win the primary. Elizabeth Warren had skyrocketed in the polls and seemed to be leaving him behind in the race to be progressive voters’ standard-bearer in 2020.

But in the past few weeks, something has changed. In private conversations and on social media, Democratic officials, political operatives and pundits are reconsidering Sanders’ chances.

“It may have been inevitable that eventually you would have two candidates representing each side of the ideological divide in the party. A lot of smart people I’ve talked to lately think there’s a very good chance those two end up being Biden and Sanders,” said David Brock, a longtime Hillary Clinton ally who founded a pro-Clinton super PAC in the 2016 campaign. “They’ve both proven to be very resilient.”

Democratic insiders said that they are rethinking Sanders’ bid for a few reasons: First, Warren has recently fallen in national and early-state surveys. Another factor, they said, is that he has withstood the ups and downs of the primary, including his own heart attack. At the same time, other candidates with once-high expectations, such as Kamala Harris, Cory Booker and Beto O’Rourke, have dropped out or languished in single digits in the polls.

The Washington Post: Woman who drove into a girl for being ‘a Mexican’ hit a black child the same day, police say.

A woman accused of driving into a teenager because she believed the girl was Mexican had struck another child with her car less than an hour earlier, authorities say.

Police in Iowa say Nicole Marie Poole Franklin struck a 12-year-old black boy as he walked home from school earlier this month. The 42-year-old Des Moines woman has not discussed her motive in that incident, but authorities say they are sickened by the seeming hate behind actions that occurred over less than two hours that day, ending with Franklin allegedly calling African Americans racial slurs in a gas station.

“When you look at the pattern of behavior here, you look at the victim selection, I think it speaks for itself,” said Sgt. Paul Parizek of the Des Moines Police Department.

Franklin’s case drew anger and fear last week when officials announced that the woman had not only confessed to a Dec. 9 hit and run but also told police that she targeted a 14-year-old for her perceived country of origin. Community members pushed for a hate crime designation on top of an attempted murder charge.

Lucy Ellman at The New York Times: Patriarchy Is Just a Spell.

I was in line at a cheese shop, contemplating our dependence throughout life on milk, mothers’ milk (even if we move quickly on to the milk of other species’ mothers, like cow, goat, sheep, buffalo or vegan substitutes, which emerge from mother earth), when it occurred to me that the Alfred Hitchcock movie “Spellbound” is really about sexual harassment. It’s not about Gregory Peck’s goofy psychological problems; it’s an elucidation of women’s problems — with men. Hitch was way ahead of his time: It’s a #MeToo movie released 74 years ago.

Ingrid Bergman and Gregory Peck in “Spellbound.”Credit…Getty Images

Hitchcock was always keen on female protagonists, usually blond. He used (and some would say abused) Grace Kelly, Carole Lombard, Eva Marie Saint, Tippi Hedren, Joan Fontaine, Doris Day, Janet Leigh, Kim Novak and Ingrid Bergman. Oddly, he settled on Hedren for “The Birds” and “Marnie,” an awkward actress at best, brittle and shaky. Hitchcock’s treatment of these actresses was pretty sadistic, yet his dramatic portrayals of women are often sympathetic….

One principle of psychoanalysis is that what is buried deep will surface; it will pop out in some way, no matter how well you try to repress it. The craziness buried in “Spellbound” is misogyny: The movie veers off to become an examination not of the hazards of neurotic trauma but of what it’s like to be a woman tormented by patriarchy. For wherever Bergman goes, she’s under scrutiny from men, if not direct attack.

The story seems at first to be about Gregory Peck’s mixed-up identity and amnesia and phobias and fainting spells and stuff, but in the end you realize Peck is by the by. The movie is told from Bergman’s point of view, and it’s really about the difficulties she faces (Hitchcock was probably one of them, given his penchant for tormenting his leading ladies). You can tell Peck doesn’t matter much, by the way the three central traumas of his life are so breezily dealt with once they surface. These complexes of his are MacGuffins. What matters is Bergman. Of course.

Read the whole thing at the NYT link.

The Washington Post: Girls adored ‘Little Women.’ Louisa May Alcott did not.

Above all else, Louisa May Alcott was a radical. From an early age, she was an abolitionist. She was also a feminist, committed to never marrying, and loved to pull up her skirts and go for a long run through the woods.

Louisa May Alcott

Alcott’s most famous work, “Little Women,” was nearly the opposite — a light, juvenile novel focused on sisterly love and domestic peace. And though it was semi-autobiographical, she hated it. Now, the latest film version, directed by Greta Gerwig, hits theaters Christmas Day.

Alcott’s father, Bronson Alcott, with whom she was close, was also a radical. He hung out with Transcendentalist poets and used the family home as a stop on the Underground Railroad. He was also a teacher who was disgraced after publishing a book with ideas about education that were a little too innovative.

And he was prone to depression. Once he was fired from his school, he didn’t work again for years. An attempt to start a utopian community failed utterly, deepening his depression, and his wife and daughters were forced to take any work they could to keep the family afloat.

Alcott took on sewing projects, worked as a maid to a rich woman on a trip to Europe, and tried to sell stories she had written to women’s magazines. She also worked as a Civil War nurse, and her written account of this period turned into her first literary success.

But her favorite things to write were suspense novels, which she published under the name A.M. Bernard. These stories featured liberated women following sensational passions across the high seas and in glamorous locales. She wrote dozens of these stories for women’s magazines but earned only a pittance.

Then her editor finally convinced her to grind out some sentimental schock. BTW, I hated Little Women, and I’m glad to know that Alcott did too.

Have a great day everyone!