I’m feeling more lazy than usual today. I’ve been idly staring at my computer screen for about two hours–searching for interesting news and trying to figure out what to write about. Frankly, I don’t want to write about Jill Abramson’s firing, Glenn Greenwald’s book, the failed American Spring rally, or “mainstream Republicans” running against Tea Party Republicans. I feel as if I need a mental health day. I would like nothing better than to sit around today–or maybe all weekend–watching cheesy horror movies.
Fortunately, there’s a big-budget but still cheesy horror movie playing in theaters right now, Godzilla!! I’m actually considering going to see it. I’m not sure why, because I don’t recall ever watching the old-time Godzilla movies as a kid. I did used to like to watch creature features, and I still do. So maybe I’ll give the 2014 version of Godzilla a chance. It looks corny but entertaining in this early trailer. http://www.youtube.com/watch?v=IC3Mi9vOb_8 The movie opened in theaters yesterday and did extremely well at the box office, according to Deadline Hollywood: ‘Godzilla’ Crushes It: $98M+
UPDATED, SATURDAY, 6:47 AM: The Lizard is leaping. After the morning dust has cleared, Godzilla showed a stronger than expected Friday late night take of $38M+ and is now estimated to haul in $98M+ after the three-day weekend. And with incredible international numbers continuing to roll in, Warner Bros./Legendary Pictures has a monstrous hit on their hands. Late night numbers pushed it past $36M and surprised everyone this AM.
PREVIOUSLY, FRIDAY 10:47 PM: Godzilla is beating all expectations tonight with a $36M Friday to push its expected 3-day cume to a monstrous $90M+. The Warner Bros/Legendary Pictures pic is just demolishing the box office right now, thanks to a killer marketing campaign that teased audiences exactly to the right degree. Amazing that the monster is still popular a full 60 years after its introduction, and it’s come a long way from a man walking around in a rubber suit. The CGI eye candy, which cost $195M…is playing well on IMAX screens. It also is opening around the world at the same time to huge numbers…
The original Godzilla—a hugely influential Japanese monster movie made in 1954 as a direct response to a recent ripped-from-the-headlines tragedy—is a staggeringly powerful film, but in some ways it’s hard to account for the long cinematic life its title character has enjoyed. Ishirō Honda’s somber Godzilla (the Japanese title,Gojira, was created by combining the words for “gorilla” and “whale”) was a raw scream of collective anxiety from a nation that, nine years before, had survived two atomic bombings, and that was now finding itself caught, quite literally, in the fallout zone of the U.S./Soviet race to build and test an even more destructive hydrogen bomb. That original Godzilla seems so tied to the time and place of its creation that it’s hard to mentally transpose the central monster—a lumbering mega-dinosaur coaxed from the ocean depths by human experiments with radiation—into any other context. Yet that transposition has now occurred 32 times in 60 years (give or take a mecha-lizard), most recently in the form of Gareth Edwards’ Godzilla, in which the lumbering lizard is reinvented—not for the first time—as humanity’s potential helpmate.
I guess it’s not hard to see the enduring appeal of the Godzilla myth, even divorced from the context of traumatized post-World War II Japan. The arrogance of human attempts to best the gods with technology is an eternally relevant theme (Icarus, Prometheus, Faust, Frankenstein, Flubber), and there’s no gainsaying the basic fun to be had in watching a bumpy-skinned reptile as big as a skyscraper reduce an entire city to rubble beneath his gargantuan stomping feet. Plus, by now Godzilla, with his radioactive fire-breath, stumpy waving forelegs, and aversion to intact skylines, is an archetypal, almost lovable figure—a quality highly valued by film studios in search of market-ready tentpole entertainments. Edwards’ Godzilla is likely to do a decent job holding up its end of Warner Bros.’ 2014 tent: It’s a smooth, sleek, technologically awe-inspiring 3-D blockbuster with a top-shelf cast (speaking middle-to-lower-shelf dialogue most of the time, to be sure, but they do it with style).
Hmmm . . . Like Jaws I, in which we barely glimpsed the animitronic great white shark? Still that was a great movie, one of my favorite creature features of all time.
On Twitter, Ian Bremmer commented on the “slow unveiling of the monster” issue:
Although I wasn’t a Godzilla fan as a kid, I used to love lots of the old “creature features” that were shown on late night TV back in those days. One of my favorites was the 1954 film “Them,” which was about giant mutant ants created by radioactivity from atomic bomb tests in New Mexico.
Also from 1954, The Creature from the Black Lagoon.
I’ll post some more recent creature feature favorites in the comment thread, because I’m having a horrendous time with the WordPress editor today. What are your favorite creature features? Are you a Godzilla fan?
Of course, feel free to use the thread to discuss and post links on politics or any other topic that interests you.
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My internet is really slow tonight, so much that I am just going to put up a few of the links that I had saved up for this morning. Hopefully the net will be working faster for me here in Banjoville, and another longer post will be up later in the afternoon.
(It is frustrating as hell.)
Anyway, I thought a few stories highlighting some assholes, and their ridiculous “standards” they hold themselves to.
Devout Christians are up in arms this morning about Darren Aronofsky’s film Noah, despite the fact that the majority of them haven’t seen it.
Aronofsky’s script deviates from the biblical account, and many on Twitter are happy to point the curious to the “real” story:
Many churches have encouraged their congregants to retweet the following, line breaks be damned!
Kevin McCarthy informs Brian Kilmeade of Fox News viewers’ worst nightmare: “the movie is not a documentary,” meaning the fact checkers will be out in full-force:
These people are crazy.
Conservative film critic Debbie Schlussel — who has actually seen the film — wrote that the film should be called “‘Game of Thrones Noah,’ ‘The Noah-dashians,’ ‘Dysfunctional Family Noah.’ Or just plain, ‘NOT Noah.’”
Erick Erickson at Red State surveyed all of the deviations from scripture, declared “boy howdy!” and then proceeded to remind his readers that he “is not kidding” eleven times.
We are not kidding.
Yup, I’ll say it again. These people are batshit crazy. And I ain’t kidding.
It’s an odd leap, going from porn to the Neo-Nazi National Democratic Party of Germany, but German actress Ina Groll managed to do it. And the Neo-Nazis very much embraced her and welcomed her into the movement, knowing full well she used to do porn. But it’s who she did porn with that landed her in warmwasser.
Groll has been very vocal about her disdain for the Islamization of Europe, immigrants, and gypsies, and so she was embraced by a group that mostly consists of burly, bald white dudes.
There’s just one problem: some of these burly, bald white dudes checked out her previous work, and they were none too happy with what they saw.
The fact that she starred in porn movies didn’t seem to bother NPD members very much; what upset them was the fact that in one of those movies, she had sex with a black man…
“Someone who sleeps with a foreign race in front of the camera can’t advance the nationalist ideology,” one activist wrote on a far-right Facebook page. Others, naturally, used blunter language.
As a result, Groll was essentially kicked out of the party and barred from attending any group events.
When I saw this it made me laugh like hell…oh, if only the black man she had sex with was also Jewish. Hmmm…What do you think the ratfucks would have thought about that?
When Monika Allen, a brain cancer survivor, got an email from Self magazine asking if it could feature a photo of her running a marathon, she couldn’t have been more excited. That was until she learned the magazine mocked her frilly costume.
While undergoing chemotherapy last year, Allen decided to run the Los Angeles Marathon and to wear a particularly motivating outfit, NBC 7 reported. The avid exerciser donned a Wonder Woman costume and paired it with a tutu, a product she makes and sells. Her company, Glam Runner, also raises funds for a charity that empowers young girls.
So when Allen got the message that Self magazine was interested in printing a photo of her from the race, she enthusiastically agreed.
But when that photo landed in the magazine’s April issue, Allen was “shocked,” according to her company’s Facebook page.
The photo of Allen was featured in the issue’s “BS Meter,” which denigrated the trend of runners racing in tutus, and placed the fad in the “lame” column.
That particular race was personal on a couple of levels: It was her first marathon since getting diagnosed, and it was a way for her to celebrate her charitable efforts.
Since starting Glam Runner in 2011, Allen has produced about 2,000 tutus and has donated $5,600 to Girls on the Run — a nonprofit that has a 12-week training program for girls ages 8-13 to prepare for a 5K race.
When Self learned of the snafu, it expressed regret.
I really enjoyed your recent comments to E! about how easy an office job is for parents, compared to the grueling circumstances of being on a movie set. “I think it’s different when you have an office job, because it’s routine and, you know, you can do all the stuff in the morning and then you come home in the evening,” you said. “When you’re shooting a movie, they’re like, ‘We need you to go to Wisconsin for two weeks,’ and then you work 14 hours a day, and that part of it is very difficult. I think to have a regular job and be a mom is not as, of course there are challenges, but it’s not like being on set.”
As a mother of a toddler, I couldn’t agree more!
“Thank God I don’t make millions filming one movie per year” is what I say to myself pretty much every morning as I wait on a windy Metro-North platform, about to begin my 45-minute commute into the city. Whenever things get rough, all I have to do is keep reminding myself of that fact. It is my mantra.
And I know all my fellow working-mom friends feel the same. Am I right, ladies?
We’re always gabbing about how easy it is to balance work and home life. Whenever I meet with them at one of our weekly get-togethers — a breeze to schedule, because reliable baby sitters often roam my neighborhood in packs, holding up signs peddling their services — we have a competition to see who has it easier. Is it the female breadwinners who work around the clock to make sure their mortgages get paid, lying awake at night, wracked with anxiety over the idea of losing their jobs? Or is it the mothers who get mommy-tracked and denied promotions? What about the moms with “regular” 9-to-5 jobs, who are penalized when their kids are sick and they don’t have backup child care?
Those women are living the dream, I tell you!
The letter gets better, so go read the damn thing…perfect is what it is, and puts Paltrow in her place.
Ratzilla, the big ass rat that terrorized a Swedish family for weeks, is finally dead.
Erik Korsas and his family first realized they had a problem when their pet cat refused to enter their kitchen. “We thought it could be a little mouse, but after a while we figured it couldn’t be because it was making too much noise,” Korsas’ wife, Signe Bengtsson, told The Local.
Several days later she spotted a giant rat eating from her garbage can.
“It was right there in our rubbish bin, a mighty monster. I was petrified. I couldn’t believe such a big rat could exist,” she said. “I couldn’t help but do the old classic and jump on the kitchen table and scream.”
She called her husband, who was away on a business trip. “When my wife called I said ‘Yeah, sure, take it easy, I’ll be home on Sunday. But by then it had jumped into the waste bin and had a Swedish smörgåsbord with all the leftovers,” he said.
For days, the family lived in horror, stomping loudly when they entered the kitchen to scare the hell rodent away.
“By the time I got home, the rat was so domesticated that it just sat under the kitchen table,” Korsas said.
How big was Ratzilla?
Korsas measured its body at 39 cm, or nearly 16 inches, not including the tail. He believes it reached the kitchen by gnawing through the wood and cement floor.
“It was quite a shocking experience,” Bengtsson said in summary. “No one wanted to go into the kitchen after, and the cat was terrified for a week. The pest controllers said they’d never seen such a big rat before.”
Damn….that is one huge mutthafukkin rat….
(Oh, I had another link that connected to ratzilla vis-à-vis Godzilla…I will post it here guess this post is not finished after all.)
One of the things about being known as “the guy that wrote that book about Godzilla,” is that when something like this new Godzilla movie comes along, everyone assumes that’s what you want to talk about. The fact is, I’ve written more words and spoken on more total audio commentary tracks regarding silent and early talkie comedy, but Godzilla made my name. And with TCM’s screening of the 1954 original today, and the Bryan Cranston version on its way, I guess I have to live up to that name.
Well, the new film certainly looks well-made and serious, and I expect it will be as dramatic and intense as the trailer suggests. It certainly strains no one’s credulity to claim that the original 1954 Godzilla movie is also serious and intense, an allegory about Japan’s experience with nuclear horror. It is not subtext, it is plainly text, with nothing sub– about it. Thinly disguised images of and openly direct references to the firebombings of Tokyo, the atomic bombings of Hiroshima and Nagasaki, and the Lucky Dragon incident are spread liberally throughout the film.
But… that isn’t Godzilla, not my Godzilla. Godzilla may have originated in austere political metaphor, but he was popularized as a rubber-suited superhero. He dances happy jigs, imitates rock stars, acts like a wrestler, talks with his pals, sometimes even flies—all while saving the Earth from such menaces as a monster made of living pollution, a ginormous bionic cockroach, or even a giant killer rose.
To pretend that Godzilla movies did not veer into absurdity and rampant silliness is futile. The filmmakers admitted it themselves—with screenwriter Shinichi Sekizawa a chief architect of this change in direction.
Please enjoy that little history lesson on Godzilla, and hopefully I can get another post up later this afternoon. Doesn’t Godzilla look like he is smelling his finger ala Beavis?
Otherwise, have a wonderful day and please share your thoughts and links in the comments below.
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