Ten Years is a Mighty Long Time #Prince ๐Ÿ’œ๐Ÿ•บ๐Ÿฟ๐Ÿ•Š๏ธโ˜”๏ธ

Prince has been gone for ten years, and I cannot believe it has been that long.

The picture above was taken by my daughter, Bebe, while she was in New York City during the days Prince died a decade ago. Here are a few more:

I wanted to dedicate todayโ€™s post to Prince. I tend to loose myself in his music so often. Especially nowadays.

Just a side note, many of these videos will take you to YouTube to play them on that appโ€ฆIโ€™m giving yโ€™all a heads up. Also if the instagram post do not embed, try reloading the page.

It makes me cry to listen to his songs, but I get so much joy from themโ€ฆlike his halftime performance at the Superbowl in 2007:

Prince could cover anyone and make it sound so damn good:

This is a good look back from The Guardian:

From lurid pranks and late-night drives, to why playing in the Revolution was like joining the marines โ€“ Princeโ€™s friends and collaborators recount their memories of one of the music worldโ€™s most majestic and mercurial performerswww.theguardian.com/music/2026/a…

JJ Lopez (@jjlopez1970.bsky.social) 2026-04-18T01:34:56.266Z

โ€˜He couldnโ€™t wait to show me his room full of fan mailโ€™

Charles โ€˜Chazzโ€™ Smith, cousin and original drummer in Grand Central

It seems only yesterday that we were kids and went to see Sly and the Family Stone playing at the Parade stadium, Minneapolis. We didnโ€™t have tickets, but they tore the fence down so we ran in and ended up on the front row, with Sly looking down on us. After that, Prince said: โ€œWeโ€™re gonna form a band, and youโ€™re gonna be the drummer.โ€ He had an upright piano in his basement and a TV in the wall, and weโ€™d play TV themes such as The Man from UNCLE. Two weeks later his dad got him a guitar and the next day he came back playing Black Magic Woman by Santana, note for note. He was obsessed with being great at guitar, writing songs, playing rock, funk, ballads, everything.

โ€˜He understood what it felt like to be a misfitโ€™

Andrรฉ Cymone, childhood best friend and bandmate

It really doesnโ€™t feel like 10 years. Sometimes it hits me harder than others. My wife and I were in Tucson recently and suddenly in an alley there was a big mural of him. Itโ€™s just so weird because I think: this is my childhood friend. We grew up eating bowls of cereal together.

We met in junior high, talked about music and wound up jamming. Then Prince turned up on my motherโ€™s doorstep and lived with us for seven years. His parents had split up and so had mine. He didnโ€™t talk much โ€“ you could put Prince in a headlock and youโ€™d maybe squeeze three words out of him โ€“ but nobody understood me as an individual like he did. We realised that our fathers had played in the same band and wanted to blow them out of the water. We were brothers in the truest sense; it was a beautiful friendship and we pushed each other. Everything was a competition: music, dancing, basketball, girls. We started the band Grand Central in the cellar. Because we were in Minneapolis weโ€™d listen to stuff from the west coast and the east coast โ€“ funk, rock, pop, jazz, avant garde โ€“ and kinda filtered it into a unique amalgamation. I played with him until after the Dirty Mind tour, by which point heโ€™d found his own lane, which he did exquisitely.

He understood what it felt like to be a misfit and wanted to speak to misfits around the world: straight, gay, Black, white, Puerto Rican, whatever. He had more than his share of female relationships but was bold enough to think outside the box in ways most artists wouldnโ€™t touch because they felt it would challenge their masculinity. So heโ€™d write songs such as If I Was Your Girlfriend. Heโ€™d say to me: โ€œI donโ€™t want to specify whether Iโ€™m talking to a girl or a man. I want people to wonder. To create a mystery.โ€ He wanted people to join his philosophical army and feel like they had an artist who spoke to them.

Please read the whole article at the Guardianโ€ฆsome good memories there.

A decade after his death, Princeโ€™s legacy continues to shape MinneapolisTen years after his death, a new generation is discovering Princeโ€™s impact through the classroom, culture and community memory.mndaily.com/arts-enterta…

JJ Lopez (@jjlopez1970.bsky.social) 2026-04-20T23:02:19.821Z

Image by Dilan Parekh
The 100-foot mural of Prince overlooking First Avenue in Minneapolis, on April 15, 2026.

For fans of Prince, Minneapolis, the artistโ€™s hometown, is an essential destination. Above, a mural of Prince, painted in 2022 by the street artist Hiero Veiga, in downtown Minneapolis.Credit…Caroline Yang for The New York Times

In Minneapolis, Following Princeโ€™s โ€˜Purple Trailโ€™This year is the 10th anniversary of the artistโ€™s death. We made a pilgrimage to the city where he lived and worked.www.nytimes.com/2026/04/13/t…

JJ Lopez (@jjlopez1970.bsky.social) 2026-04-20T23:16:38.507Z

A big celebration is planned in Minneapolis in June:

Prince Celebration 2026, marking the 10th anniversary of the Purple Oneโ€™s passing, will descend upon Paisley Park and the heart of downtown Minneapolis from June 3 through June 7โ€ฆrollingout.com/2026/04/15/p…

JJ Lopez (@jjlopez1970.bsky.social) 2026-04-20T23:05:54.375Z

For more information check out the article above.

I will post a few more songs before I end with something new.

Yesterday, the Prince estate released a new song:

On the eve of the 10th anniversary of his passing, the Prince Estate just released an unreleased Prince track called "With This Tear" along with a video. #prince #withthistear im-musicmagazine.com/f/prince-est…

I'm Music Magazine (@immusicmagazine.bsky.social) 2026-04-20T21:36:59.561Z

Nearly a decade after his death, new music from Prince is still emerging from the vault, and the latest is arriving with purpose. Out today via NPG Records in partnership with Legacy Recordings, โ€œWith This Tearโ€ is a previously unreleased studio recording dating back to November 1991. Written, produced and entirely performed by Prince at his Minnesota studio Paisley Park, the track has been newly mixed and mastered by longtime collaborator Chris James.

Shortly after recording it, Prince passed โ€œWith This Tearโ€ to Cรฉline Dion, who released her own version in 1992. This newly unveiled original offers a direct window into his early-โ€™90s creative period, when the aritst was particularly unfiltered and self-contained. Sonically, it trades the sweeping, adult-contemporary grandeur of Dionโ€™s take for a sparse, piano-led arrangement with soft synth textures and subtle orchestration. The accompanying video underscores that intimacy, pairing the track with a montage of archival photos and performance footage spanning Princeโ€™s life and career.

And with that, I close this open thread. Stay safe everyone.



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