Hey, Dakinikat and Boston Boomer went local the last couple of days, so I am going to take this opportunity to do the same. Only this is not going to be a whole post on the crazy ass happenings of Banjoville. It will only be a few links about a story making world headlines from my hometown of Tampa, Florida. In fact…it is specifically about the parents of my childhood arch nemesis…a girl named “Jonele”…who I once told way back in fourth grade, at Tampa Bay Elementary School, in Mrs. de la Parte’s class…that she had a face like a baboon’s ass. (When you see the picture of her mother…whom she favored especially through the eyes and nose…you will see the resemblance is striking.)
Anyway, I remember when Jonele’s parents completely remodeled their house. It was redecorated in South American style…it looked like a big expensive Mexican style veranda, with the open area and orange-red tile floors. Something the mother had seen while on vacation…I remember it so well…her mother talking about it during Jonele’s birthday party, as she was showing people the little Mayan-like statues she got from her trip.
There is a reason for all this buildup.
I don’t know why Jonele was the bitch she was…or why she seem to pick on me. But she did, and I couldn’t stand it.
I had only spent 2nd and 3rd grade dealing with her shit on a daily basis, that face she would give me…the look. Damn. How she would make me cry. Sometimes I wouldn’t go to school, I would fake being sick, until I got the balls to finally tell her off that day…in the hallway, just outside the door as we were walking into Mrs. de la Parte’s fourth grade class. It was magnificent. And other kids heard me too…from that point on I stood up for myself, and I stood up for other people too…no matter what.
I guess Baboon Face gave me the ability to voice my convictions. I had always been loud and demanding as a kid, but when it came to bullies…that was another matter. Thankfully Jonele empowered me that day…we never became friends. In fact my senior yearbook still has the word bitch written across her face…but the point is that she did have some positive impact on my life, and for that I say…thank you…you bullying baboon faced shitass bitch.
And now the news story…by the way…it also hits a bitter note because of the BoA business too.
JAMES BORCHUCK | Times
Joyce and Nelson Coniglio sit with attorney David Mitchell, left, after they won a $1 million judgment against Bank of America.
For four years, Joyce and Nelson Coniglio were haunted by these words:
The calls started in 2009 when B of A took over the mortgage the Coniglios used to buy a second home in their Tampa Heights neighborhood. They quickly fell behind.
On their second home no less…
The bank called, the family said, while they tried to get the loan modified. B of A called even after the cease-and-desist letters. There were hundreds of robocalls, sometimes five a day.
In July, the Coniglios sued in federal court to stop the harassment. Three months later, they won — by default judgment. B of A missed the deadline to oppose the lawsuit.
Now the bank owes the Coniglios more than $1 million.
“Unlike Bank of America,” he said, “we’re only going to call them once.”
You know, why do some people always seem to “luck” out?
The Coniglios are both 69 and have been married for 45 years.
Joyce Coniglio spent 44 years teaching at Tampa Bay Boulevard Elementary School. Nelson Coniglio was a trucker. In 1999 he pleaded guilty to federal charges for piloting drugs and money for a Tampa ring operating in Colombia.
The couple live in Tampa Heights, on a block surrounded by relatives. In 2006, the Conigilios bought a second home in the neighborhood for $180,000, according to records.
They didn’t have a plan for the house. Maybe another relative could use it. Maybe they would downsize. All the Coniglios knew was, they could afford it.
Then the recession hit, and so did B of A .
I don’t know, seems like they are well connected to me…
You can read the rest of the story at the link. But the thing that gets me is Nelson plead guilty for trafficking drugs and money, and here he is…winner of a million dollar lawsuit from Bank of America. There is a quote from Nelson in the article that reads:
When the bank took over the mortgage, the family said it imposed a more expensive homeowner’s insurance policy on them, doubling their payments to $2,800 a month.
“Everything changed,” Nelson Coniglio said. “Our incomes go down, our bills go up. It’s the American way.”
Uh, well…you fly in drugs and money for the mob, you get charged with a federal crime, and then you wind up winning a million dollars. (If you are white.) Then yes…it is the American Way.
Yes, I am a bitter bitch about this story and these people who got to stick it to BoA. Of all the poor people who have been through the same thing as the Coniglios, and that includes me and my family, why couldn’t the big win go to a more deserving set of BoA customers.
On with the rest of today’s links, starting with the connection to the images you will see (Not baboons):
Bangladesh is often associated with cheap clothes produced for the mass market, but the delicate and much more expensive jamdani fabric is also made here. The people who weave the material are highly sought-after employees.
On the banks of the River Lakshya – just outside Dhaka, Bangladesh’s capital – the sun is heating the tiny corrugated iron factory I am standing in to oven-like temperatures.
Inside, under a string of bare light bulbs, six master weavers sit in pairs, barely breaking a sweat at their bamboo looms.
The men are shirtless. The women wear neon-coloured salwar kameez – a traditional South Asian garment. All of them rest their arms on cheap white cotton, protecting the delicate muslin they are working on.
This dirt-floor workshop might not hint at luxury, but the special jamdani fabric made here is highly coveted and incredibly expensive.
The factory owner, Anwar Hossain, walks me past the looms. Whiplash thin and just over 5ft (1.5m) tall, he doesn’t disturb the workers as he pauses to let me admire the work of one young woman who sits below us.
Her hands, spinning like furious atoms, interlace silky gold thread into a sheer muslin cloth the colour of oxblood.
“Jamdani is expensive since it requires dedicated work and special skills,” Hossain says, flicking a bejewelled hand over the peacock feather motif that the young woman works on. “My weavers don’t use patterns, they create only from memory.”
Back to the real world: Senate passes five-day budget extension, averting shutdown | Al Jazeera America
The Senate passed a five-day extension of federal funding on Saturday, staving off a government shutdown and buying lawmakers more time to resolve the fight over a $1.1 trillion spending bill led by Tea Party firebrand Ted Cruz.
It was the second time in a little over a year that Cruz, a Texas Republican freshman with presidential aspirations, has attempted to stop a key Obama administration initiative by denying government funds. In this case, Cruz was targeting Obama’s executive order that offered millions of undocumented immigrants relief from the threat of deportation.
Cruz was a central figure in a 16-day government shutdown in October 2013, when he persuaded Republicans to try to withhold funds from Obamacare, President Barack Obama’s landmark health care reform law.
In the end, Cruz got none of what he wanted and Republicans were left with little but voter anger.
What an ass, and a hypocrite. His father is a immigrant from Cuba via Canada, right?
Cruz and senators Mike Lee of Utah and Jeff Sessions of Alabama were demanding permission to offer an amendment that would deny the DHS any funds for carrying out Obama’s November immigration order. Critics of the order have called it an amnesty for lawbreakers.
Senators from both parties complained on Saturday that Cruz’s strategy was counterproductive and aimed at grabbing attention.
“This reminds me very much of the shutdown last year, where the strategy made absolutely no sense and was counterproductive,” Republican Senator Susan Collins said.
As reporters tried to interview Cruz as he entered the Senate chamber in the Capitol, Democratic Senator Claire McCaskill shouted: “Quit giving him so much attention, that’s exactly what’s causing the problem!”
That is the first piece of sense I have heard from the Hill in ages.
In #BlackLivesMatter news:
The mothers of four slain black men and boys, three of whom were killed by police sat down with CNN’s Anderson Cooper for a heart-wrenching interview where they made one thing absolutely clear: their sons would be alive if they were white.
Sybrina Fulton, mother of Trayvon Martin, Lesley McSpadden, mother of Mike Brown, Tamir Rice‘s mother Samaria Rice, and Eric Garner‘s mother Gwen Carr came together and spoke about their losses as well as the role of race.
All of these women have suffered immense pain, and it’s maddening that they have to justify their pain and the injustice they feel as mothers of unarmed black victims. When Cooper asked if they thought things would have turned out differently if their sons were white, he framed it as a “hard question to ask.” But for these four mothers, it was the easiest one to answer.
Amid national protests decrying police brutality, three effigies of black people were discovered hanging by a noose on the Berkeley campus at the University of California.
Police and students took the cardboard cutouts depicting lynching victims down Saturday afternoon from two locations on campus as demonstrations broke out to the theme of “#blacklivesmatter.”
“We’re uncertain of the intention of this. It could be related to the protests, but it could be racially motivated,” Claire Holmes told the Daily News. “We’d like to get to the bottom of it.”
The disturbing figures hanging from iconic landmarks on the Berkeley campus were reported to police just after 9 a.m., but a third effigy found through social media disappeared before police got to it.
The campus is investigating it as a hate crime.
And yet, just earlier in the week over at Berkley: CA Police Chief Joins ‘Black Lives Matter’ Protest, Scolded by Police Union | Mediaite
Richmond, California police chief made quite the statement this week by standing with protesters and holding a “Black Lives Matter” sign:
And you’ll notice, Chief Chris Magnus is very noticeably wearing his police uniform.
That in particular was the issue taken by the Richmond Police Officers Association, which released a statement criticizing Magnus by citing the state government code’s explicit ban on police officers participating in political activity while in uniform.
One union attorney said they’re “disappointed the chief felt free to flaunt those laws by wearing his uniform during the protest.”
Thousands of protesters hit the streets in New York City on Saturday to protest police violence after the grand jury decisions in Ferguson and Staten Island in what came to be known as the #MillionMarchNYC demonstration. Among them were several members of the cast of Netflix’s Orange Is the New Black.
Vicky Jeudy, who plays Janae Watson, posted this dramatic photo of the group holding “I Can’t Breathe” signs and doing the “Hands up, Don’t Shoot” gesture.
In Washington DC: ‘A Movement, Not Just a Moment:’ Thousands March in D.C. Protesting Police Violence – The Root –Read some interviews with people walking in the protest.
“In refusing to prosecute, Obama and Holder demonstrate their own profound disregard for the collective rights of Black Americans as a people.”
Black Americans know all about “law and order”: the term, itself, is code for the state-wielded hammer that is relentlessly deployed against us. No people on earth are more conditioned to concentrated bludgeoning under “color of law” than African Americans, who account for one out of out eight of the world’s prison inmates. Black males are 21 times more likely than their white peers to be killed by U.S. lawmen, and make up a clear majority of young police shooting victims under the most draconian law and order regime on the planet. Of all the world’s peoples, none have been so unremittingly inculcated with the lessons of crime and punishment – especially punishment, whether merited or not.
For a people so acculturated, justice demands retribution – even for Pharaoh and his army. Thus, the simple and near-universal Black American demand that President Obama and Attorney General Eric Holder prosecute killer cops.
But, this they will not do.
The Obama administration has no intention of pursuing prosecution of Darren Wilson, or Trayvon Martin’s vigilante killer George Zimmerman, or the whole crew of New York City homicidal and/or depravedly indifferent first-responders in the Eric Garner case. Obama and Holder have nothing worthwhile to say to the nine grieving Black mothersnow visiting Washington demanding justice for their murdered loved ones, other than empty assurances that they feel the families’ pain.
The U.S. Justice Department, which marshals unlimited resources to pursue long and sometimes fruitless prosecutions of whistleblowers and other “national security” targets, claims it is helpless to confront police impunity in the murder of Black Americans. The law, Holder and his apologists claim, requires that federal criminal prosecutions under the civil rights statute must prove beyond a reasonable doubt that the officers “acted willfully” for the specific purpose of violating the victim’s 4th Amendment constitutional right to life. Making that case, they say, is near-impossible, requiring that prosecutors “get inside the officer’s head” to divine his intentions at the moment the trigger was pulled. Therefore, despite Holder and Obama’s public statements of concern, no good faith attempt is made to mount prosecutions.
“Police immunity from prosecution begins with the prosecutors.”
You go and read the whole thing.
Especially when you consider: Addicting Info – White Protestors Threaten to Lynch President – No Cops, Arrests Or Tear Gas (VIDEO)
I thought this was an interesting article, it looks at words and their usage: How We Lost Our “Freedom” » CounterPunch: Tells the Facts, Names the Names
In the wave of protests sparked by Grand Jury acquittals of the policemen who killed Michael Brown and Eric Garner, the word “freedom” is seldom heard.
It was different in the Civil Rights era. Then “freedom” was the watchword of the entire movement.
Meanwhile, in his campaign to retain his Senate seat in Kentucky – and ultimately to become Majority Leader of the Senate – Mitch McConnell’s handlers put out a bumper sticker that read: “Coal. Guns. Freedom. Team Mitch.”
Michael Tomasky, who wrote about this in the New York Review of Books, also pointed out that Team Mitch campaigned tooth and nail against the Affordable Care Act, Obamacare. The local version,“Kynect,” the state exchange established under the Affordable Care Act, has been unusually successful in signing up uninsured Kentuckians, and is widely popular.
Early in the campaign, it looked like McConnell would have a hard time defeating his Democratic rival, Alison Grimes. Grimes was careful to keep Obama at a distance, and she had nothing good to say about Obamacare. But she wasn’t careful enough; McConnell won handily.
In view of Kynect’s popularity, how could Team Mitch have gotten so much mileage out of running against it? The explanation speaks volumes about the Republican base. According to Tomasky, in an NBC News-Marist College poll conducted last spring, only 22% of white Kentuckians said that they opposed Kynect, while 60% said they opposed Obamacare. Shades of the Tea Party demand that the government keep its hands off Medicare!
In making Obamacare repeal their main war cry, was Team Mitch cynically exploiting the ignorance and befuddlement of Republican voters? “You betcha,” as Sarah Palin would say.
On that bumper sticker, where space was a priority, “freedom” functioned, at least in part, as a code word useful for conjuring up that ignorance and befuddlement. The thought, if it can be called that, is that because the Affordable Care Act exacts fines on people who do not purchase health insurance, it makes them less free. In other words, Obamacare commodifies health care, but it doesn’t commodify it quite enough.
So understood (or misunderstood), “freedom” fits nicely with “coal” and “guns,” when they too are used as code words — for the economic and cultural anxieties of the people whose votes McConnell sought.
Bravo for Team Mitch. They came up with a brilliant slogan; brilliantly slick. American political discourse has become so degraded in recent years that “freedom” is now fits in nicely with “coal” (or “drill, baby drill” in oil states) and “guns.” Team Mitch was on top of this development, and took full advantage of it.
It wasn’t always so; “freedom” used to belong to us. It was the watchword of the Civil Rights movement and of the black power (or black liberation) movement that followed. On the left, “freedom” – or “liberty,” the words are synonymous – was prominently and rightly paired alongside equality and fraternity (solidarity, community).
So much more to read at the link.
Another long read, that looks at film, silent film: moviemorlocks.com – Slapstick While Black
Apologies: this week’s post is about racially insensitive jokes in silent comedy (Yes, Ben Martin, this one’s for you), and so I’ve got some unpleasant screen grabs, illustrating some gags most of us probably wish hadn’t been filmed, and then to make matters worse I’m going to speak clumsily and awkwardly about these things while analyzing jokes. None of which is really all that great an idea.
As recent history has tragically shown, we’ve got a lot of work do to repair race relations in America. But that’s not to say it’s on no one’s short list of priorities to pick at the scabs of ninety-year-old silent comedies.
Why am I doing this, then? Well, despite these festering wounds I love silent comedy, and I fear it’s slipping into cultural irrelevancy. The only way to keep these films and these comedians even marginally, passingly, culturally relevant is to keep bringing new audiences to them—and these racist gags are a significant barrier to that.
Check it out.
But y’all know those red “skinned” people are getting screwed too: Congress Screws Native Americans With Fine Print – Truthdig
Somehow U.S. lawmakers have used a defense spending bill to sell Native American burial ground to mining giant Rio Tinto. Yay, capitalism!
But seriously, here’s what happened: The Senate on Fridaypassed a defense spending bill. Like a Christmas tree dressed with ornaments, lawmakers attached a host of riders and provisions to the bill, including number of land swaps. One such swap sees the transfer of Arizona forest land considered sacred by multiple native tribes, the Apache in particular, to Rio Tinto. If that name sounds familiar, it’s because the mining concern is very unpopular with environmentalists, labor organizers, human rights activists and the government of Norway.
I am just glad that this is not Kim Kardashian: Time Magazine Names Ebola Fighters as 2014 ‘Person of the Year’
That is all on the news links, here’s the rest of the information on the Jamdani weaving:
From the UNESCO Culture Sector – Intangible Heritage – 2003 Convention : Traditional art of Jamdani weaving
Jamdani is a vividly patterned, sheer cotton fabric, traditionally woven on a handloom by craftspeople and apprentices around Dhaka. Jamdani textiles combine intricacy of design with muted or vibrant colours, and the finished garments are highly breathable. Jamdani is a time-consuming and labour-intensive form of weaving because of the richness of its motifs, which are created directly on the loom using the discontinuous weft technique. Weaving is thriving today due to the fabric’s popularity for making saris, the principal dress of Bengali women at home and abroad. The Jamdani sari is a symbol of identity, dignity and self-recognition and provides wearers with a sense of cultural identity and social cohesion. The weavers develop an occupational identity and take great pride in their heritage; they enjoy social recognition and are highly respected for their skills. A few master weavers are recognized as bearers of the traditional Jamdani motifs and weaving techniques, and transmit the knowledge and skills to disciples. However, Jamdani weaving is principally transmitted by parents to children in home workshops. Weavers – together with spinners, dyers, loom-dressers and practitioners of a number of other supporting crafts – form a closely knit community with a strong sense of unity, identity and continuity.
You can see a slideshow here.
Or watch a video:
From Frontline: The glory of jamdani
KALNA, a subdivision in West Bengal’s Bardhaman district, is known for its temples and hand-woven saris, particularly the jamdani weave. However, over the years, the delicate art of making jamdani with homespun yarn has practically disappeared, with mill-made yarn replacing khadi. Handloom purists can easily discern the difference between a traditional handwoven fabric and a mill-made one by the texture of the fabric. Much as anyone would want to possess the whole six yards of khadi jamdani, producing an authentic jamdani with traditional motifs is time consuming.
The Crafts Council of West Bengal, a non-profit organisation affiliated to the Crafts Council of India, has stepped in to encourage this skill. Ruby Palchoudhuri, honorary general secretary and executive director of the council, has taken up the challenge of reviving the traditional form of jamdani weaving. Designs and motifs from old saris (some even three generations old) are replicated with some variations. One of the main factors behind the decline of this traditional art of making jamdani is the time required to weave it. Though weaving is usually done by men, practically everything else, from spinning the yarn to spooling, is carried out by women.
The softness of the cotton fabric and the exquisite designs lend an enchanting quality to the saris. This magic in weave is the result of tireless work which brings meagre financial returns. Unknown and unrecognised, a small group of weavers continue with this line of work, primarily because it is the only thing they have been taught to do.
This is something that is taught and passed down from generation to generation.
Hemanta Nandi and his family have been weavers for three generations. For a combined effort of 14 hours a day, he and his wife earn a measly Rs.5,000 a month. “We would be better off working in the paddy fields, where we would be earning Rs.140 for four hours of work. But we are not able to do that kind of work because this is all we have learnt to do. We somehow eke out a living because we live in the village and not in a town,” he toldFrontline.
The process of making khadi jamdani is broadly divided into two parts—the making of the yarn and the weaving at the loom. The crucial pre-loom stage is usually handled entirely by women, from the spinning of the yarn to the point when it is placed on the warping drum before it goes to the loom. According to master weaver Jyotish Debnath, in whose Kalna factory the jamdani revival project is struggling to take off, the process of producing the yarn involves very delicate work, which only a woman’s hands can accomplish.
There are three other full pages at the link. Along with lots of pictures too.
From a another person’s perspective: woven air | Bangladesh textile residency
We discovered the weaving! And not just any weaving, yesterday morning we went to visit the village Vargaon Dargabari, a region near Dhaka where they produce Jamdani fabrics, the most beautiful woven textiles found in Bangladesh.
The technique resembles a tapestry technique where individual threads are woven as supplementary wefts to form geometric and floral motifs. The ground is very fine unbleached cotton, set in open density to form a gauze textile background. Jamdani fabrics are woven on a pit loom by 2 weavers working together. It is a very laborious process and a sari length (6 yards of woven fabric) can take more than 2 months to complete. See the videos below to appreciate the speed at which the weavers are working and how slowly the fabric grows!
I love this part, what the needle is made out of…
We were greeted by Abdul Jabbar Khan, one of the head weavers of the village and we visited a number of weaving set ups. Soon we had a following of inquisitive villagers and children! I explained I am a weaver too and I was invited to sit at the loom and try my hand at this technique. MrKhan very patiently showed me how to loop the thread over the kandu, a bone tool used for the extra thread weaving(we were told it is elephant tooth?!) and soon I knew just how time consuming the weaving process is. The most beautiful jamdani cloths we saw were dyed with natural pigments (see the last pictures in the series below).
Go to that link to see all the images. They are amazing.
Finally, the technique and stylistic designs used in jamdani weaving: Sari-Tangil & Jamdani | Parul Bhatnagar – Academia.edu
The Jamdani is a type of woven figured muslin sari, and in this type of weave special skill of the craftsman can be seen, by using a bamboo splinter like a needle, he can combine weaving, embroidery and ornamentation, the motifs of flowers and buds being sewn down as the pattern is formed between the meeting places of the warp and the weft. The Jamdanis are therefore like fragile tapestry and were usually woven in soft shade of fine grey cotton, decorated either in bluish grey design or sometimes with creamy white with gold or silver threads producing fine sari’s with full embellishment on the entire material and its border and pallav (top end) patterns comprising flowers set all over in sprays butidar, or run diagonally tircha, or formed a sort of crisscross Jal or lay scattered at even distance on the surface toradar.
Jamdani or “figured muslin”, traditionally woven in Dacca, (now Dhaka inBangladesh), West Bengal and Tanda in Faizabad, Uttar Pradesh, refers to cotton fabric brocaded with cotton and sometimes with zari threads.
I think you all will find those reads fascinating. Have a wonderful day, and enjoy yourselves.