Wednesday Reads: Photographs and more ColdPosted: February 18, 2015
Well, what do ya know? Obama administration puts immigration protections on hold after order – LA Times
President Obama’s plans to protect millions of immigrants from deportation were frozen on Tuesday while his administration scrambled to appeal an order by a federal judge in Texas temporarily halting the program.
Homeland Security Secretary Jeh Johnson announced that the Obama administration has put off for now the first step in implementing the program, expanding the Deferred Action for Childhood Arrivals initiative that has granted a temporary reprieve from deportation for nearly 600,000 young people. The administration had been scheduled to begin accepting applications for the expansion Wednesday.
Johnson said the administration was also putting on hold plans for a much larger program, known as Deferred Action for Parents of Americans, which could apply to around 4 million adult immigrants.
“The Department of Justice will appeal that temporary injunction,” Johnson said in a statement, referring to the judge’s order. “In the meantime, we recognize we must comply with it. We fully expect to ultimately prevail in the courts, and we will be prepared to implement DAPA and expanded DACA once we do.”
I don’t know…I thought that the Federal Court could not overrule an Executive Order. I mean, seriously…isn’t it a Presidential Order?…Above Congress and stuff? (But you know, I am talking out my ass here. It just felt good to say what I first thought about when I’d heard about this “temporary injunction”….to be honest with y’all. )
Really, my mind is not working very well the past few days. It sounds crazy, but the only thought I can seem to work on is trying to write out a metaphor for the Koch Brothers, and the lingering effect they will have on our country, as to their crappy Angel Soft toilet paper…and the fibery dingleberries the stuff leaves behind.
Oh sure, they make it out like the product (shit paper) their selling you is the best quality and hell…they say it is so fucking cheap to boot. But the truth of the matter is, you are being fucked in more ways than you realize. Because they are charging you the same prices for way less than what you used to get, they’ve got a monopoly on the shit paper isle as it is anyway so what choices do you really have…and, as if they do it purposely, those bits of linty irritant only continue to remind you just what an annoying pain in the ass the Koch Brothers really are. (Oh, and they are going to bring down the whole of civilization as we know it…you’ll see.) But that somehow connects to a reference to a backed up septic tank… due to the said nappy ass toilet paper in the first place, but then you see I am back where I started.
This week in things we wish were just a Colbert Report sketch, an Oklahoma legislative committee overwhelmingly approved a bill that would cut funding for the teaching of Advanced Placement U.S. History. The 11 Republicans who approved the measure over the objections of four Democrats weren’t trying to win over Oklahoma’s lazy high school juniors. Tulsa Worldreports that Representative Dan Fisher, who introduced the bill, lamented during Monday’s hearing that the new AP U.S. History framework emphasizes “what is bad about America,” and doesn’t teach “American exceptionalism.” It’s a complaint that’s been spreading among mostly conservative state legislatures in recent months, and has some calling for a ban on all AP courses.
Earlier this month, the Georgia state Senate introduced a resolution that rejects a new version of the AP U.S. History course for presenting a “radically revisionist view of American history” and minimizing “discussion of America’s Founding Fathers, the principles of the Declaration of Independence, [and] the religious influences on our nation’s history.” It says that if the College Board does not revise the test, Georgia will cut funding for the course. The exam has also sparked controversy in Texas, North Carolina, South Carolina, and Colorado, where students in Jefferson County protested last fall when a school board member said the course should be modified to promote “patriotism,” and discourage “civil disorder, social strife, or disregard of the law.”
I can’t bear to link to any more stories like that. Let’s all look at some cool pictures.
A great portrait is more than just a frozen reflection of the subject’s appearance. It’s a chance moment, blanketed in natural light, in which the subject’s authentic self is visible in her expression, her stance, her aura. A great portrait blurs the line between a subject and her surroundings, all contributing equally to the overall impression of a singular human being.
Photographer Barbara Yoshida captured not one great portrait, but 100. And to make it all the more glorious, her subjects are all female artists, groundbreaking in their own right.
The story of Vivian Maier is probably one of the art world’s most compelling mysteries. A nanny by profession, she was an alarmingly talented and vastly prolific photographer whose keen eye for the mundane produced some of the 20th century’s most intriguing works of street photography. At times she was a Mary Poppins, trekking across a city like Chicago with a gaggle of children passing like ducklings behind her. At other times, she was Weegee, tuned into the pulse of urban centers, her lens drawn to crowds of celebrity, crime and everything squished in between.
The juxtaposition of being a lifelong caretaker in one moment, chasing kids and bickering with parents, and a relentless documentarian on the other, churning out rolls of film a day, is enigmatic in itself. But the real kick is that Vivian Maier is a name no one truly knew until about 2007. It was then that a former real estate agent named John Maloof unknowingly purchased a box of her photographic negatives for $400. Fast forward through a heavy dose of research and detective work, and you have “Finding Vivian Maier,” the Oscar-nominated film that recounts the life of a woman the art world reveres, but no one actually seems to know.
In 2012, Brooklyn-based artist Tatyana Fazlalizadeh embarked upon a project titled “Stop Telling Women to Smile.” The series, comprised of portraits pasted on the sides of buildings, aimed to combat street harassment targeted at women by commanding offenders in public spaces to think before they speak.
“Street harassment is a serious issue that affects women worldwide,” the artist proclaims on her site. “This project takes women’s voices, and faces, and puts them in the street — creating a bold presence for women in an environment where they are so often made to feel uncomfortable and unsafe.”
In his landmark book, Orientalism, the late scholar Edward Said wrote of “exteriority,” a disconnect between the traveler’s fantasies and reality. Reading the travelogues of French writers, Said once explained that he found “representations of the Orient had very little to do with what I knew about my own background in life.”
That is the least strange of the bunch.
As you’re probably well aware, hospitals tend not to be the most visually enticing of spaces, especially for kids. Between the fluorescent lights, the sterile aesthetic and the deluge of achromatic hues somewhere between oatmeal and taupe, the spaces where so many humans experience their most physically and emotionally trying moments really aren’t helping much as far as ambiance goes.
That’s where the power of art comes in.
American Ballet Theater icon Misty Copeland has over 402,000 followers on Instagram. To compare, athletes like Venus and Serena Williams have 89,500 and 992,000 followers, respectively. Michael Phelps has 462,000. Danica Patrick has 26,900.
Of course, ballet is easily the most photogenic of the sports. An art form that toes the line between performance and feats of athleticism, it’s filled with pirouettes and arabesques that when frozen in a frame appear like paintings or perfectly sculpted statues. Misty’s Instagram account is filled with shots both on and off a stage, flexing her muscles and practicing her craft. And she’s hardly the only ballerina — or ballerino — to grace the platform. One glimpse at the popular Ballerina Project account, followed by an impressive 641,000, and it’s easy to see why dance fans are quick to double click on the endless stream of posed portraits.
Each student at the Forensic Sculpture Workshop at the New York Academy of Art (NYAA) begins with a skull. More specifically, each begins with a plaster replica of a real human skull made by a medical examiner, a facsimile of an unidentified crime victim in New York City.
From this foundation, the students sculpt a face, using a block of clay and whatever information they can glean from the ongoing investigations — such as age, height, gender and race. They also included grimmer details, such as the locations of bullet holes or crushed bones.
The resulting sculptures, lifelike in their realistic portrayals, capture the likenesses of unknown citizens who faced cruel and untimely deaths from a variety of gruesome circumstances, in the hopes that someone walking by the university windows will see a face and recognize it.
In his series “Cesar,” the French artist captures babies in their first moments of life — specifically, between three and 18 seconds of existing outside the womb. As you may have ascertained from the project’s title, all of Berthelot’s subjects underwent (and survived) a Caesarean section — a procedure in which the baby is removed via an incision in the mother’s abdomen. Berthelot’s first child was born after a C-section, serving as the inspiration for this powerful project.
The circus has always been a space rife with visual splendor. Long before a certain FX anthology series brought “freak shows” into the pop culture conversation, the Ringling Brothers and Barnum & Bailey made clowns and acrobats essential elements of entertainment when they merged in 1919. In fact, together, they amounted to “The Greatest Show on Earth.”
Ken Light’s photos from 1969 to 1974 document the social landscape of America as it frayed at the seams, rife with turmoil. As a young photographer, Light captured the country at this pivotal moment, and his frontline protest photos in Ohio and political images from the 1972 Republican Convention in Miami show the opposite ends of the spectrum.
But the photos that make his new book, American Stories in the Age of Protest, so great are less-familiar ones: the everyday person out waving flags in support of Nixon, the garage band taking to a makeshift stage in support of McGovern, the kids hanging out in West Oakland. It’s photos like these, so common at the time, that gain importance with age. They give contour and meaning to historical projects such as this.
Think of this as an open thread, there is just one more thing…try and stay warm cause it is fucking cold out there.